Formal Analysis Paper on Stylistic Analysis of Historical Art

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University of Richmond
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For centuries, mankind has tried to understand the history that was left by in the ancient and recent past using historical artifacts. Ancient artists used their skill to relate what was happening on their age and also what could have occurred in the future. Historical analysis establishes the meaning of the artifacts and why it was made at a particular time. An historical artifact can define its origin and culture practiced in the society.

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Image (Number.3), is the Narmer Palette. Also referred as the Palette of Narmer, its an Egyptian historical artifact dating back to the 31st Century B.C. The ancient piece of art contains some hieroglyphic drawings which are believed to be one of the earliest to be found. Its very significant to the Egyptian political, social and cultural understanding that the inscription on both sides, the Verso and Recto sides of the archeological artifact depict of their countrys evolutionary age. The discovery of the artifact was led by archeologists from British, Frederick Green and James Quibell between the years 1897-1898. Though the piece of art has no trace of its artist and the owner, the shield-shaped siltstone artifact was in a good state which had accurate excavation findings. It has a lot to tell describe about the ancient Egypt. The Palette has drawings on the two outer sides that describes events or the culture practiced during the 31st Century. Each of the drawings show that man was in a struggle and the country was in a transition of change.

The artist used a clear and simple style to show what was happening in that period of time, which is very significant to researchers and historical archeologists. The shield shaped artifact signifies there is a battle which relates to the period of time King Narmer Palette unified the upper and lower parts of Egypt drawn in the right piece. In the middle of the piece, a King with a crown on his head stands tall relating to an exercise power over the kingdom. In the middle of the Palette on the Verso side, shows the movement of a group of people heading to a different place due to their conditions. Significantly, it shows there was a change during that period of time.

The artist had a timely drawing of the piece of art during the 31st Century B.C. it was during that time when the kings role in a society was effective through his power and importance. From this piece, an exercise of power by the King is clearly seen which relates the piece to the Portrait of Four Tetrarchs. The latter historical artifact shows four Roman Emperors who are close to another appearing to be in a state of peace signifying unity among their empires.

The ancient archeological finding relates to The Narmer Macehead, an ancient Egyptian stone with decorative inscriptions on it that was discovered from the same deposits as the Palette of Narmer in the Hierankopolis.

From the gallery, Image (Number 4) is an ancient Greece artifact of the ancient times. It is called a Parthenon that was constructed by Iktinos and Callicrates during 447 and 432 B.C. During the ancient times the historical Greece building was used a place of worship, a Temple of the

Acropolis of Greece has endured the democracy of Athenian and western civilization. Athenians dedicated the great temple to their goddess, Athena, who described as a goddess of many things; Of wisdom, law and justice, courage, inspiration, civilization and most of the war. Since the ancient building was a common sacred place, Greece worshippers gathered in the temple signifying unity. It is an important historical artifact in both the Greece and the world since it still survives as old as it is and used to unify the Athenians.

Being one of the greatest historical monuments in the world, it's significant to the political, social, cultural and history of the Athenians. The Ministry of Culture in Greece has considered to restore the partition structure back to its former glory of the Athenian society and gain back the sculptures it lost after the explosion of an Ottoman ammunition dumped inside the building. Upon its immediate destruction and loss of its sculptures, the archeological temple was not to be rebuilt due to an oath taken by the Greece allies for every sanctuary. It was later considered that another Parthenon be built to be built which was done after 468 B.C. apart from serving as a sacred place, the building was of significance to the social and political class. It was also a property of the state. To the society, it was their pride due to its superiority over other temples as it was regarded as the temple of Athena, a Greece goddess.

It showcases the use of architecture by the Athenians. Though it was an old structure, it has become the center of the modern architecture with its classical style, thus influencing the Greece government to reconstruct to its immediate shape. As the largest Athenian temple in Greece, has been a sacred place that united a lot of worshippers for their routinely worshipping. By the ancient architects of the great structure, they referred the building as Hekatompedos or Hekatompedon that basically defines the temple of Athenian

In my view, the use of artistry in the historical times is a milestone for the mankinds evolutionary understanding of social, cultural and political practices in realization of his history. Is signifies what we can achieve by the use of art to relate to our history and future. It traces back to the society, culture and political practices employed by the aristocrats to the people. It clearly defines the use of power and leadership by those of the ruling class where the exercise of the power of the aristocrats was not in accordance to legitimacy.


Ferrari, Gloria. "The ancient temple on the Acropolis at Athens." American journal of archaeology (2002): 11-35.

Wilkinson, Toby AH. "What a King is This: Narmer and the Concept of the Ruler." The Journal of Egyptian Archaeology (2000): 23-32.

Goldwasser, Orly. "The Narmer Palette and the" triumph of metaphor.". Lingua Aegyptia 2 (1992): 67-85.

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