Death in Venice

2021-04-23 18:10:42
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1143 words
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Death in Venice by Thomas Mann plays a significant role in European literature. Importantly, the story is developed in a unique way that challenges the common thinking in the sense that the author (Thomas Mann) tries to capture his audience through a delivery mode of the unexpected.

A significant case is in the sense that many of the characters in the story are accorded certain attributes that puzzle common thinking. For example, Mann describes his character in a certain stylistic feature that covers the true meaning of character roles in the novel. A character like Tadzio is described as an innocent a polite person. Mann says that

A lonely, quiet person has observations and experiences that are at once both more indistinct and more penetrating than those of one more gregarious; his thoughts are weightier, stranger, and never without a tinge of sadness. . . . Loneliness fosters that which is original, daringly and bewilderingly beautiful, and poetic. But loneliness also fosters that which is perverse, incongruous, absurd, forbidden.

Such a description has weight in the novel given it describes some impending danger that could harm both the audience and the characters in the story. In this view, it is easy to tell that the approach used by the author to develop the characters speaks more about the red head characters at the end of the day. A good elaboration to comment on such a realization is that events that follow in the story point to some connection of ill motives. For example, Tadzio is a young person who is so innocent as described by Mann. The contradiction develops in the sense that he can notice a sexually attracted man who is not of his own age.

Another way to analyze the novel Death in Venice is in the case that the introductory engagements of the novel have many features that give the hint about some impending dangers. For example, the mention of a grave site and a mortuary give an indication that the author seems to be talking about a horrific incident or occurrence. A good way to illustrate the development of such an intuition is in the case that Mann mentions a red-haired stranger in a location north to the cemetery area. Such a comment gives the indication that the author has more meaning that the illustrated. In this context, it is possible for one to argue that the novel has a classical style employed by the author in a creative way. The uniqueness of the style is that it does not give direct information about the story-line or proceedings in the character's lives. Instead, the author chooses to create suspense within his narration so that his audience has to struggle to uncover the real meaning of the story.

The character Gustav von Aschenbach also plays a great role in the story given that he is the connection to the mysteries in the play. A good way to give evidence to such a line of thinking is the case that he is titled a good description and personality by the author (Mann). According to Mann, Aschenbach is a decent writer who deals with his work professionally. He is also of age and has an immense passion for art given that he adores Tadzio's simplicity. The weight of the story lies with him in the case that he adores a young man who also happens to be gay. In this regard, One can easily tell that Mann uses Aschenbach to comment on a rotten society that has many dark this view, the author triggers his audience to think along other lines. Firstly, he creates the impression that the good looking and professional characters are the institutions used by the red heads to trigger the ugly side of the human nature.

The literature structure adopted by Mann points to the fact that he tried to address societal issues that were a dominant theme during the time of his work. The emphasis of immorality is such evidence that proves this ideology. This aspect can be elaborated effectively given that the relationship between the character Tadzio, Aschenbach, and Joshua exhibits a heightened level of immorality (erotic love) in the novel. As such, a good assumption is that by the time of narration, the playwright had witnessed such kind of societal changes. In simple terms, his way of addressing the matter shows the extent to which the early society had tolerated such behaviors. Importantly, the playwright was trying to acknowledge the fact that the society's cultures and traditions had been eroded at that time giving room for immorality. in that case, I would approve that Tadzio represents the elements of wild behavior given that he influences

Aschenbach's actions at the end of the day.The argument that points to such a reasoning develops from the fact that a character like Aschenbach is a well-traveled person. In that sense, one would actually approve his personality in the sense that he has borrowed many good elements from the high levels of interaction. Instead, the character acts in a manner that disgusts. The disguise here is whereby he fails to reason genuinely and act according to his age. A good example that points to such a fact is where he is madly in love with a young and innocent boy (Tadzio). The case here should be that he ought to act as a role model for the young man. His role would be better if he would have influenced the young boy to follow his professional career as a renowned writer. The other argument is that he (Aschenbach) holds a high position in the German society. In this view, one would expect that he should be cultured and very principled. Instead, he exhibits the opposite personality when compared to the cultured in the society. Such a point is sensitive in this discussion given that Mann purposely misleads his audience to believe that the cultured are the high and mighty in the society. As such, he unexpectedly adds a twist to the entire scenario by fixing intolerable behaviors on such a character.

A conclusive way to present the argument about the aspects of Pan in Death in Venice is that the author (Mann) has a done a commendable job and delivery of his piece of literature. This statement means that Mann has employed a stylistic feature ( the Dionysian style) to address various themes in the story. Secondly, he has created the typical characters to cover all his basic themes. A good example is the presentation of the character Aschenbach who is not easily understand from an audience point of view. Lastly, the author (Mann) has mobilized various elements of art into his literature to address very heavy topical themes of the society. In this view, I would approve that Death in Venice is a very interesting and complex novel of the 19th century.

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