Introduction
Born in Salem, Massachusetts, Nathaniel Hawthorne is a short story writer and an American author who was a master of the fictional and figurative tale. The best acknowledged for his short narratives and two widely read works of fiction; The House of Seven Gables (1851) and The Scarlet Letter (mid-march 1850), along with Edgar Allan Poe and Herman Melville much of Nathaniel’s work fit into the sub-genre of dark romanticism (Boyle, 126). As one of the celebrated fiction novelists in American literature, Nathaniel Hawthorne’s work is an extrusion of human imperfection. The ideal provides an increased lapse in ruling that permitted even decent males and females to gist toward wickedness and self-damage that also inclines to allurement attention to the unintentional consequences and problems that raised from well-anticipated efforts at social improvement (Harding, 1840). As a matter of fact, The Scarlet Letter was the only American novel that for a long time, many foreigners acknowledged as a great work of literature.
Early Life of Nathaniel Hawthorne
Hawthorne was the only son of Elizabeth Clarke Manning Hawthorne and Captain Nathaniel Hawthorne, Nathaniel, and his mother together with his two sisters were pushed to move in with Mrs. Hawthorne’s family, the Mannings. Growing up in this environment of womanhood without a strong male role model, accounted for what writers call his bashfulness and withdrawn personality (Boyle 126). Throughout this age of Hawthorne’s life was varied with the pleasures of reading. In 1821, Nathaniel joined Bowdoin College in Brunswick, Maine is where he read widely and acquired solid teaching in English works and masterpieces.
Works by Nathaniel Hawthorne
To understand the best works of Hawthorne, it is preeminent to look at a few words as a representative of the many subjects. The Scarlet Letter was possibly one of the most widely read and most illustrative of the many subjects in the work of Hawthorne. Despite, the fact that it was written during the Puritan era in the American past, it dealt with many topics of other workings. Most of his tales were allegory or moral tales. In his stories, Nathaniel wished to talk moral message to his bibliophiles through the usage of the stories (Harding, 1857). Writing in the period of Romanticism society, Nathaniel seeks to discover ideas of nature and humanity as well as thrust the restrictions of human creativity and imagination.
Philosophy of Nathaniel Hawthorne
Nathaniel’s work introduces the most resilient tradition in American literature that symbolized romance. Assuming the universality of self-reproach explored the difficulties and uncertainties of man’s selections (Boyle, 126). His utmost success in The Scarlet Letter and his greatest short narratives marked a penetration of psychological and ethical insight not often equaled by any American author.
Beliefs of Nathaniel Hawthorne
Inheriting the Puritan custom of moral sincerity, Nathaniel Hawthorne was deeply worried about the concept of original wickedness and guiltiness and the entitlements of law and morality. He opted to look more intensely and maybe more fairly into life, discovering in it the saving power of affection (Harding, 1834). In his work, there is no such thing as a romantic escape, but rather resolute scrutiny and a firm of the mental and the ethical facts of the social condition.
Conclusion
In conclusion, Nathaniel’s friction increased many queries that often keep bibliophiles predicting his real purpose. A thought of the image of Christianity applying to the fatalities of Puritanism evidence establishes his testimonial of love, mercy, and tolerance and ratifies his antagonist to any unbending dogmatism that declines to increase in value the supremacy of these standards. Certainly, Hawthorne was a profoundly Christian writer.
Works Cited
Boyle, Elizabeth A. "Current Bibliography." Nathaniel Hawthorne Review 42.1 (2016): 126.
Harding, Brian. American literature in context: 1830-1865. Routledge, 2016.
Hawthorne, Nathaniel. The Scarlet Letter-With Audio. Oxford University Press, 2014.
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